Adolescence (EP)

Originally posted on Scott Lemoine:

Adolescence - Scott LemoineIt’s here! After a decade’s worth of stalling, waiting, and false-starting, and a year’s effort, my debut EP is finally ready for release. The title of the album is nowhere to be found in the lyrics; it’s the time-stamp fixed across each track. With the exception of the last track, the album is composed of original songs that I wrote about ten years ago, in the midst of my adolescence.

Some of the songs have had airings at coffee houses over the years. Others haven’t been heard beyond the walls of my parents’ house, where they were worked out and rehearsed on the apartment-sized upright piano whose A-flat, the one right above middle C, eventually started to stick and sound dully from insistent use.

Since there are no liner notes, I have to make my public thanks here. When something’s very nearly a lifetime in the making, there are…

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Five

Originally posted on Cameron Anstee:

My little Apt. 9 Press is publishing a perfect bound book for the first time. Five is being produced to celebrate the October reading tour that I’m taking part in with jesslyn delia smith, Rachael Simpson, Jeff Blackman, and Justin Million. The first bound copies arrived yesterday afternoon from Coach House Printing for final approval. Some photos of the beautiful book are included below. Book details here. Tour details here.

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Otter

This is just to say that my first book-length collection of poems, called “Otter,” will be coming out through Coach House Press in the Spring of 2015. That’s such a long time from now! Oh dear.

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The Hidden Room: An Intimate Look at P.K. Page’s Creative Space

Originally posted on Library and Archives Canada Blog:

P.K. (Patricia Kathleen) Page is regarded as one of Canada’s most beloved creative voices. Both a poet and artist, Page crafted beautiful images through her words and art in her home office in Victoria, British Columbia. When Page passed away in 2010, her literary executor Zailig Pollock documented the contents of her office to preserve a sense of the physical creative space that inspired her while she wrote and worked on her art pieces.

A photograph of P.K. Page’s computer desk holding her various papers, books and mementos

P.K. Page’s computer desk holding her various papers, books and mementos

This idea of capturing a glimpse of the way writers work is becoming a vital practice for cultural heritage institutions like Library and Archives Canada (LAC). At Emory University Libraries in the U.S., visitors can access author Salman Rushdie’s papers and nose around his computer. Emory transferred the author’s donated digital files to a computer that replicates the operating system he used to…

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My Writing Process – Blog Tour

What am I working on?

I’ve got a bunch of projects in late stages. These include my first full-length manuscript of poems, a chapbook that Apt 9. Press will be publishing later this year, the web series “Other Men.” Once some or all of these projects have begun to see the light of day, I’ll be ready to move onto new things.

How does my work differ from others of its genre?

I don’t think there’s anything I bring to the table that no other writer brings. The most anyone can hope to do, probably, is bring a unique combination of things to the table. In terms of poetry, I just hope to write good stuff that at least a few people will be glad to have read.

Maybe I have a slightly different attitude when it comes to screenwriting. Maybe, with “Other Men,” I am actually motivated by the thought that myself (and the rest of the team) can make something that does differ from what’s already out there. If you’re legitimately curious about what I mean, you can watch me babble in this interview.

Why do I write what I do?

“It takes guts to know some happiness / & not make a poem about it.” That’s from The Brave Never Write Poetry by Daniel Jones. I write poetry because I am not brave.

How does your writing process work?

There are periods of my life when I’m inclined to fall in love with certain words or combinations of words. It isn’t important what the words are, it’s just important that I’m falling in love. It can be stupid stuff, like the phrase “do it to it,” or the word “essential,” or even dumber stuff. If I find myself being drawn to any words at all, I know that I should be putting time aside to write poems. So I do that.

The question I still struggle with, though, is, how do I get myself into that mode? I never enter it the same way twice. What I’ve come to terms with, in the past year or two, is that if it isn’t going to happen, it isn’t going to happen. Really and truly. Poetry is an impossible full-time job for me. (I take a lot of comfort in the fact that most of my favourite poets were/are not all that prolific.)

If I’m not in that particular mode, I try to at least consume all sorts of nutritional art (books, readings, good tv shows, museum exhibits, all that stuff, yum yum), in hopes of activating something in my brain. I also try not to beat myself up about it.

* * *

I was supposed to “pass the torch” and ask three other writers to participate in this survey. However, almost all the writer blogs I follow have already participated, and also, I ran out of time. I feel bad, so here are links to some of my favourite writers’ blogs. Some of these people did the survey and some did not. They’re all worth a visit.

Amanda Earl
Jeff Blackman
Cameron Anstee
Justin Million
rob mclennan
half-assed crafts (jesslyn delia smith)
I Am A Visitor Here (David Emery)
Film Title Review Blog
 (Jenn Huzera)
seed and pearl (Rachael Simpson, who invited me to do this survey in the first place. Thanks Rachael!)

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Lime Kiln Quay Road (Second Printing)

above/ground press has reprinted my chapbook Lime Kiln Quay Road. First published in May 2011, the book is a long poem about the time I spent living in a hamlet called Blaxhall, in Suffolk, England.

The cover image is a detail from a work by David Gentleman that appears in the Full Circle Editions reprint of Ask The Fellows Who Cut The Hay by George Ewart Evans. A Welsh-born writer and broadcaster, Evans moved to Blaxhall in 1948, residing with his wife in the schoolhouse. The schoolhouse would later be repurposed as a youth hostel; I was a member of its small staff for the summer of 2010, during which time the earliest of these poems were written.

To get your hands on a copy of Lime Kiln Quay Road, you can visit above/ground’s website, or come to any event/reading of mine in the near future, where there will surely be a little pile of them at the merch table.

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A bit of press for “Other Men,” and how NYC went.

Check out my interview with the production team of “Other Men!” Apologies for the cowlick:

In other news, I just got back from a little trip to NYC, where I was a featured reader for two events in support of Best Canadian Poetry in English 2013. It was a wonderful trip — lots of street vendor grub, lots of above-zero temperature, lots of amazing taxidermy at the Museum of Natural History.

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The readings took place at the Lillan Vernon Creative Writers House, and then at The Corner Bookstore. Myself and eight other anthologized poets read to crowded and attentive rooms both times. Molly Peacock and Heather Wood, the editors of the book, did a great job of making us feel warm and welcome.

The Corner Bookstore

Outside the Corner Bookstore

The window display at the Corner Bookstore was probably the coolest part of the whole trip. That’s our book!

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It was a lovely little trip, in support of an equally lovely little anthology.

One more thing: above/ground press will be reprinting my 2011 chapbook Lime Kiln Quay Road. Not too long from now, the books will be ready for purchase for anybody who missed out on getting a copy way back. The reprinting is a real honour.

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